dc.contributor.author | Hart, Walter Edward | en_US |
dc.date.accessioned | 2010-03-03T23:30:42Z | |
dc.date.available | 2010-03-03T23:30:42Z | |
dc.date.issued | 2010-03-03T23:30:42Z | |
dc.date.submitted | January 2009 | en_US |
dc.identifier.other | DISS-10501 | en_US |
dc.identifier.uri | http://hdl.handle.net/10106/2060 | |
dc.description.abstract | This theoretical study builds from Ben Agger's theory in his 1992 book, Cultural Studies as Critical Theory:The ideological outcomes of the culture industry are in a sense unintended; they emerge in the interplay of authorial, directorial, and audience assumptions about the nature of the world. (Agger 1992:65)I theorize the effect of the culture industry's cycle of assumptions on the one-dimensional representation of hip hop music and its reflection and reinforcement of Whites' perceptions of Blacks and Black Culture. The reinforcement of Whites' historically negative racial attitudes emerge unintended through a complex cycle of assumptions between the director (culture industry), the author (hip hop artist), and the audience (White consumers). | en_US |
dc.description.sponsorship | Agger, Ben | en_US |
dc.language.iso | EN | en_US |
dc.publisher | Sociology | en_US |
dc.title | The Culture Industry, Hip Hop Music, And The White Perspective: How One Dimensional Representation Of Hip Hop Music Has Influenced White Racial Attitudes | en_US |
dc.type | M.A. | en_US |
dc.contributor.committeeChair | Agger, Ben | en_US |
dc.degree.department | Sociology | en_US |
dc.degree.discipline | Sociology | en_US |
dc.degree.grantor | University of Texas at Arlington | en_US |
dc.degree.level | masters | en_US |
dc.degree.name | M.A. | en_US |
dc.identifier.externalLink | https://www.uta.edu/ra/real/editprofile.php?onlyview=1&pid=1410 | |
dc.identifier.externalLinkDescription | Link to Research Profiles | |