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dc.contributor.author | Arditi, David | |
dc.date.accessioned | 2017-11-02T21:10:38Z | |
dc.date.available | 2017-11-02T21:10:38Z | |
dc.date.issued | 2017 | |
dc.identifier.citation | Published in Fast Capitalism 14.1: 1-13, 2017 | en_US |
dc.identifier.uri | http://hdl.handle.net/10106/27053 | |
dc.language.iso | en_US | en_US |
dc.publisher | Fast Capitalism | en_US |
dc.subject | Theodor Adorno | en_US |
dc.subject | Musical reproduction -- theory | en_US |
dc.subject | Musical reproduction -- digital era | en_US |
dc.title | Would Adorno Download Music? Piracy, the Recording Industry and Reproduction Reconsidered | en_US |
dc.type | Article | en_US |
dc.publisher.department | Department of Sociology & Anthropology, The University of Texas at Arlington | en_US |
dc.identifier.externalLink | http://www.fastcapitalism.com/ | |
dc.identifier.externalLinkDescription | Article available from journal website. | en_US |
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