| dc.contributor.author | Arditi, David | |
| dc.date.accessioned | 2017-11-02T22:51:54Z | |
| dc.date.available | 2017-11-02T22:51:54Z | |
| dc.date.issued | 2016 | |
| dc.identifier.citation | Published in Fast Capitalism 13.1: 1-16, 2016 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10106/27054 | |
| dc.language.iso | en_US | en_US |
| dc.publisher | Fast Capitalism | en_US |
| dc.subject | Music production -- studio -- social relations | en_US |
| dc.subject | Music production -- Digital Audio Workstations (DAWs) | en_US |
| dc.subject | New recording technology -- impact -- music studios | en_US |
| dc.title | Informal Labor in the Sharing Economy: Everyone Can Be a Record Producer | en_US |
| dc.type | Article | en_US |
| dc.publisher.department | Department of Sociology & Anthropology, The University of Texas at Arlington | en_US |
| dc.identifier.externalLink | http://www.fastcapitalism.com/ | |
| dc.identifier.externalLink | Article available from journal website | en_US |
