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dc.contributor.advisorRichardson, Timothy
dc.creatorMorrow, Joel Mathew
dc.date.accessioned2017-02-14T15:43:42Z
dc.date.available2017-02-14T15:43:42Z
dc.date.created2016-12
dc.date.issued2016-11-30
dc.date.submittedDecember 2016
dc.identifier.urihttp://hdl.handle.net/10106/26377
dc.description.abstractThe smart phone, or mobile device, holds a preeminent role in a technologically advanced society. These devices allow for connection, productivity, and distraction, and in doing so create new anxieties and underscore old ones. By tracing the provenance of this artifact, we see how our relationship with mobile devices amplifies our relationship with technology as a whole. This thesis examines the development of the mobile device from the viewpoints of social constructivism and technogenesis to illustrate how our increasing intimacy with these devices is part of a long-standing pattern of co-evolution between humans and the technologies they create.
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.subjectMobile device
dc.subjectTechnogenesis
dc.subjectTechnology
dc.subjectNew materialism
dc.subjectPhilosophy of technology
dc.subjectSocial constructivism
dc.subjectCyborgs
dc.subjectSubject-object relationship
dc.titleTHE WORLD IN THE SCREEN: HOW THE MOBILE DEVICE SYMBOLIZES TECHNOGENESIS
dc.typeThesis
dc.degree.departmentEnglish
dc.degree.nameMaster of Arts in English
dc.date.updated2017-02-14T15:44:46Z
thesis.degree.departmentEnglish
thesis.degree.grantorThe University of Texas at Arlington
thesis.degree.levelMasters
thesis.degree.nameMaster of Arts in English
dc.type.materialtext


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