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dc.contributor.author | Chivers, Morgan | |
dc.date.accessioned | 2019-01-26T05:39:13Z | |
dc.date.available | 2019-01-26T05:39:13Z | |
dc.date.issued | 2016-11-11 | |
dc.identifier.uri | http://hdl.handle.net/10106/27645 | |
dc.description.abstract | Seeming to emerge directly from while fading into the walls, a continuous clear glass filament creates dimensional sketches tracing the four-dimensional movement of matter, drawing on the relatively recent revolutions of action painting (aesthetic object as a method of tracing the artist’s creative motion in the studio) and linear acceleration / atomic collision (graphic image as a method of tracing the atom’s destructive dissolution in the lab).
This installation consists of a single continuous strand of clear glass convolutedly circumnavigating the gallery, driven by the vexing inability to visually see the present material within peripheral field of view. | en_US |
dc.publisher | Fort Worth Community Arts Center | en_US |
dc.subject | Interdisciplinary research areas | en_US |
dc.subject | Humanities and religion | en_US |
dc.title | Partial Perceptibility | en_US |
dc.type | Image, 3-D | en_US |
dc.type | Map | en_US |
dc.type | Other | en_US |
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- PartialPerceptibility-titlewall.jpg
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- Description:
- Partial Perceptibility - title wall
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- Format:
- PDF
- Description:
- review of exhibition by Jeff Rose
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