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dc.contributor.authorChivers, Morgan
dc.date.accessioned2019-01-26T05:39:13Z
dc.date.available2019-01-26T05:39:13Z
dc.date.issued2016-11-11
dc.identifier.urihttp://hdl.handle.net/10106/27645
dc.description.abstractSeeming to emerge directly from while fading into the walls, a continuous clear glass filament creates dimensional sketches tracing the four-dimensional movement of matter, drawing on the relatively recent revolutions of action painting (aesthetic object as a method of tracing the artist’s creative motion in the studio) and linear acceleration / atomic collision (graphic image as a method of tracing the atom’s destructive dissolution in the lab). This installation consists of a single continuous strand of clear glass convolutedly circumnavigating the gallery, driven by the vexing inability to visually see the present material within peripheral field of view.en_US
dc.publisherFort Worth Community Arts Centeren_US
dc.subjectInterdisciplinary research areasen_US
dc.subjectHumanities and religionen_US
dc.titlePartial Perceptibilityen_US
dc.typeImage, 3-Den_US
dc.typeMapen_US
dc.typeOtheren_US


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