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dc.contributor.author | Holliday, Kathryn E. | |
dc.date.accessioned | 2022-07-12T19:15:17Z | |
dc.date.available | 2022-07-12T19:15:17Z | |
dc.date.issued | 2009-08 | |
dc.identifier.citation | Kathryn E. Holliday, "Whose City Hall Is It? Architecture and Identity in New Orleans," Journal of Urban Design 14 (August 2009): 279-308. | en_US |
dc.identifier.uri | http://hdl.handle.net/10106/30651 | |
dc.description.abstract | New Orleans has had three city halls, all still standing. Built in 1795, 1845,
and 1957, these city halls represent different facets of the public image of the city as a
modern world metropolis, reflecting cosmopolitan French, Spanish, English, and
American fashions. In the wake of Hurricane Katrina in 2005, a proposal emerged in
2006 to demolish the third city hall, an International Style office tower, and replace it with
a National Jazz Center designed by Santa Monica-based Morphosis. A culturally and
historically situated discussion of how each of the three city halls reflects New Orleans’s
cultural identity can provide a context for debating the present desire to replace public
civic architecture with an architecture of private entertainment. | en_US |
dc.language.iso | en_US | en_US |
dc.publisher | Journal of Urban Design | en_US |
dc.subject | New Orleans architecture architectural history Morphosis James Gallier National Jazz Center Cabildo | en_US |
dc.subject | City Hall | en_US |
dc.subject | Urban Design | en_US |
dc.subject | Hurricane Katrina | en_US |
dc.subject | Urban history | en_US |
dc.title | Whose City Hall Is It? Architecture and Identity in New Orleans | en_US |
dc.type | Article | en_US |
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