Show simple item record

dc.contributor.authorHolliday, Kathryn E.
dc.date.accessioned2022-07-12T19:15:17Z
dc.date.available2022-07-12T19:15:17Z
dc.date.issued2009-08
dc.identifier.citationKathryn E. Holliday, "Whose City Hall Is It? Architecture and Identity in New Orleans," Journal of Urban Design 14 (August 2009): 279-308.en_US
dc.identifier.urihttp://hdl.handle.net/10106/30651
dc.description.abstractNew Orleans has had three city halls, all still standing. Built in 1795, 1845, and 1957, these city halls represent different facets of the public image of the city as a modern world metropolis, reflecting cosmopolitan French, Spanish, English, and American fashions. In the wake of Hurricane Katrina in 2005, a proposal emerged in 2006 to demolish the third city hall, an International Style office tower, and replace it with a National Jazz Center designed by Santa Monica-based Morphosis. A culturally and historically situated discussion of how each of the three city halls reflects New Orleans’s cultural identity can provide a context for debating the present desire to replace public civic architecture with an architecture of private entertainment.en_US
dc.language.isoen_USen_US
dc.publisherJournal of Urban Designen_US
dc.subjectNew Orleans architecture architectural history Morphosis James Gallier National Jazz Center Cabildoen_US
dc.subjectCity Hallen_US
dc.subjectUrban Designen_US
dc.subjectHurricane Katrinaen_US
dc.subjectUrban historyen_US
dc.titleWhose City Hall Is It? Architecture and Identity in New Orleansen_US
dc.typeArticleen_US


Files in this item

Thumbnail


This item appears in the following Collection(s)

Show simple item record