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dc.contributor.authorCummins, Molly Wiant
dc.date.accessioned2023-05-16T15:43:41Z
dc.date.available2023-05-16T15:43:41Z
dc.date.issued2019-12-27
dc.identifier.citationMolly Wiant Cummins (2020) Miracles and home births: the importance of media representations of birth, Critical Studies in Media Communication, 37:1, 85-96, DOI: 10.1080/15295036.2019.1704037en_US
dc.identifier.urihttp://hdl.handle.net/10106/31196
dc.description.abstractSince most women do not experience birth firsthand before giving birth themselves, many U.S. American birthing women draw knowledge from media representations for understanding what to expect during delivery. Most media representations of birth uphold a medical model, presenting many women with limited options for birth and reducing the agency available to women in their healthcare choices. Lack of choice and agency play into some of the issues surrounding the high rate of maternal mortality in the U.S., compared to other developed nations. This paper analyzes “The Miracle of Birth” scene from Crazy Ex-Girlfriend and Darci’s home birth on Jane the Virgin from a feminist rhetorical lens to explore the possibilities and limitations in media representations of birth.en_US
dc.language.isoen_USen_US
dc.publisherRoutledgeen_US
dc.subjectMedia representations of birthen_US
dc.subjectChildbirth on TVen_US
dc.subjectMedical model of birthen_US
dc.subjectSocial model of birthen_US
dc.titleMiracles and home births: the importance of media representations of birthen_US
dc.typeArticleen_US


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